Author Archives: disq2332

About disq2332

I'm Gail Z. Martin and I write epic fantasy, urban fantasy and steampunk--so far! My newest series is Scourge: A Novel of Darkhurst. I'm also the author for the Chronicles of the Necromancer series, The Fallen Kings Cycle, The Ascendant Kingdoms Saga, the Deadly Curiosities urban fantasy series and co-authored with my husband, Larry N. Martin, the steampunk series Iron & Blood.

Fantasy and Thrill Rides

by Gail Z. Martin

I’ve often said that I focus on making my books entertaining, like a roller coaster.  I want people to get a rush out of the ups and downs and get to the end wanting to do it again.  Maybe that’s because I absolutely love theme parks, amusement parks and fairs.  I love the tinny music, the smell of all that artery-clogging bad-for-you yummy food, and the excitement of wondering what’s around the next bend.

Part of what I love about amusement parks and fairs is way it blocks out the real world.  When you get into the middle of the park, you can’t see anything of the outside world.  You’re in a place that’s separate from your normal life.  While you’re there, the “real” world doesn’t exist.  It’s all one big adventure.  Kinda like a good book.

I also love the total immersion.  All the senses are engaged—sight, smell, touch, taste, and sound.  When you’re in a really well-run park or fair, those senses are expertly manipulated to heighten the experience.  There is so much going on around you that you stop thinking about your to-do list or what’s waiting on your desk at work or what you need at the grocery store and just revel in the moment.  And again, it’s the same way that a good book makes you forget all your troubles or responsibilities for a blissful interlude.

Of course, amusement parks and fairs are always best at night.  When it gets dark, the lights come on, bright and blinding, an artificial aurora, non-stop neon.  At night, everything looks its best because you can’t see the places where the paint needs to be touched up, or the wires or the electric cords.  The fantasy is at its best because it becomes seamless, even a little disorienting.  Suspension of disbelief is complete, and child-like wonder takes over.

Whether it’s Six Flags or Cedar Point or Disney World or Carowinds or just the county fair or local Renaissance festival, that’s probably me you see wandering around looking a little starry-eyed, taking it all in.  It’s the next best thing to a good book!

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You can’t go home again, and neither can your characters.

by Gail Z. Martin

Contrary to Bon Jovi’s experience, most of us find that going home after we’ve left is at best bittersweet and at worst impossible.  That’s true, I’m convinced, because not only are we not the same people who left, but the place we’ve left behind changes while we’re gone.  It’s that whole thing about not stepping into the same river twice.

As I find myself spending more time in my hometown than I have spent since leaving high school (thanks to some family concerns), I got thinking about how many of my characters have had a reason to make a return home under difficult circumstances.

Tris flees his home to avoid being killed, only to find that he must return to face his monster of a brother in order to protect those he loves.

Jonmarc staggers from his village wounded and grief stricken as the sole survivor of a massacre by northern raiders, and returns years later to repel another invasion, this time, as the champion of a queen and at the head of an army.

Kiara leaves her homeland to forge a political alliance and returns to a shattered homeland that looks to her untested abilities to save it.

Cam went back to the home that exiled him and found unexpected strengths and an unknown lurking threat.

Even Kolin finds a mixture of grief and solace returning to what remains of his home, although only ghosts and the undead still inhabit the place where he used to live.

Maybe my subconscious put me on the track of bittersweet homecomings. More than once, I’ve worked through a difficult issue only to look back through my writing and find out that I’d unconsciously put my characters in the same situation in various guises.  It’s happened enough times to make me wary when I find themes in my own stuff, wondering what it means for my real life.

The whole homecoming arc certainly isn’t new; after all, that’s at the heart of The Odyssey.  But it probably resonates more at a mid-point in life more than when you’re younger and bursting from the gate to seek your fortune.  If you can think of other character homecomings in other books, I’m interested to see what you come up with!

 

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Best summer movies so far.

by Gail Z. Martin

I don’t ask much from my movies.  A few explosions, some impossible but cool special effects, and a little magic.

With Netflix and Redbox, we have gotten pretty choosy about which movies we see in the theaters (that, and our three kids are now old enough that we’ve lost the child discount rate so we have to pay for five adults, which gets pricy).  We triage our theater-going to which movies really benefit from the big screen, 3-D and/or IMAX treatment, and which would be pretty much the same on the TV at home.  Needless to say, explosions and magic look better when they’re bigger and louder, so that tends to tilt toward our choice of movies.

Thor was a lot of fun—better than I expected.  (It was worth it to hear half the theater gasp when he took of his shirt.) I also enjoyed Green Lantern.  Lots of action, not real heavy on plot.  Pirates of the Caribbean 4 was an ok popcorn movie, but I liked the first one best. (However, compared with Pirates 2 and 3, Pirates 4 looked like Oscar material. My opinion.  Just saying.) Of course, Harry Potter 7.2.  I thought Deathly Hallows 2 was very well done, with exceptional special effects and cinematography with a mood befitting the tone of the book.  I’m looking forward to seeing Captain America.

I missed getting to see X Men First Class and, alas, Kung Fu Panda 2, so I’ll have to pick those up on Netflix later on.  I’m also intrigued by Super 8, and might catch that one.  And while it’s not really a movie, I enjoyed catching up on Season 2 of True Blood thanks to Netflix.

So there you have it, my confession of guilty pleasure watching summer movies.  Pass the popcorn!

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THE LUDDITES WERE RIGHT

By: C.J. Henderson

The Luddites, to make a short and inadequate explanation of a much more complicated movement, were folks who were against mechanical advancement. Worrying over the grim reality of losing jobs to automation goes back to the Industrial Revolution. These guys actually committed some pretty serious crimes to get their point across. They were rounded up and their riots quelled in the end, but they did raise an interesting point–

How much progress is enough?

Now, this is not one of those lectures on getting your kids to go outside to play more. You should do that, but you know, that’s up to you and your kids. No, this is a rant aimed at people who are perfectly willing to allow machines to replace parts of themselves which those machines are not fit to replace. Huh, I hear you mutter. I shall explain.

Automobiles … perfectly reasonable to drive them to a convention in another state. To the supermarket when you need to bring back 287 pounds of vittles. To the movie theater when you have to take four kids and it’s raining. There are a thousand, a million good reasons you can come up with for not walking. But, do we sometimes go too far?

For instance, have you ever gotten into the car and driven to a place only ten blocks away? Simply to mail a letter, or pick up a box of light bulbs?

In other words, when does the convenience become a burden? A certain amount of exercise is needed. Taking into consideration the trouble finding parking some times, the expense of gasoline, such a trip can end up taking more time and costing far more than it’s worth. But, in this modern world this ceases to be a consideration. Driving is what one does often …

Rather than thinking.

Then, add a cell phone.

How did people survive before them? Are you old enough to remember the world before cell phones? Did you find it impossible to communicate then? Probably not. But, along they came, and everyone suddenly had to have one. And had to chatter every minute of the day. Did they suddenly have so many more wonderfully interesting things to talk about?

No.

You know damn well they didn’t. Neither did you. But people can’t seem to put them down. They waste hours every day, chatting, and now texting, with absolutely nothing to say. Simply because a machine was put into their hands.

And, worse yet, so many of the grinning apes all around us think they have the skills to use automobiles and cell phones together. They think … now read this slowly and consider the lunacy of it while you do … that they have the skills to type while they drive.

To type while they drive.

Most of them can’t drive very well to begin with, don’t use turn signals, don’t know which lane to be in at what speeds, don’t understand the dangers of passing on the right (or forcing others to pass them on the right), et cetera. And, most of them can’t type very well, either.

Two great tastes that don’t go great together.

You’ve seen the videos of morons walking along texting tripping into fountains, falling down stairs, slamming into signposts, et cetera. And yet, these people believe they can drive cars while they type, when they can’t even walk and type at the same time.

The availability of technology does not imply mastery of it.

Am I getting through to anyone?

Who knows? Why would I ask that? I’ll tell you.

I ask such a question to make the reader wonder, if only for a split second about the question. I’m challenging you to consider what you have read before I go on to the major point. A point, oddly enough, of lesser consequence than the set-up.

Yes, I believe the above to be a major problem, and I will curse to Hell the mush-brained jackass that rams into me at 65 miles an hour because they were too busy letting some other worthless waste of oxygen know how much they “heart” some band or pictures of Internet cats or whathaveyou. But, the idea presented above was there to focus your minds on a smaller but, for we who write and edit and read for pleasure, in some ways equally disastrous set of problems.

Spell check. Let’s start there.

Spell check (and its equally evil twin, grammar check), may not be worth the problems it has caused.

Now initially, a great idea. Time saving. Super. Bring it on.

When I first encountered this technology, I was delighted. A traditionally bad speller (dictionary always on hand for this writer), it was a blessing sent from God. Indeed, as I would go through a ms. Checking each word it questioned, over the years I found myself actually becoming a better speller because I had this patient teacher willing to take me by the hand, word by word, and quietly explain each mistake to me.

It was wonderful.

But, most people don’t seem to have taken my approach. Most people seem content to simply let the machine correct things they way it wishes to do so … whether it’s right or not. They listen to their grammar checker and do whatever it says, abandoning what creativity they might have had in favor of a machine’s limited ability to structure a sentence.

Worse yet, we now have spell checkers being imposed on us.

Try typing the phrase “sci fi” in an email. At AOL, the machine will not let you leave “fi,” but will automatically change it to “if.” Because it knows better. Because you’re too stupid to be allowed to type what you want.

And, in a world where so many people are too stupid to be allowed to type what they want, can we blame the machines for rising up and trying to kill John Connor before he has us all filling our letters with goddamned idiotic “:O(” crap? What kind of pinhead uses this nonsense to convey a feeling?

The kind that has been brainwashed into believing they have no creativity. That conformity and speed equal something better than free expression.

Technology is a wonderful thing. It truly is. When I was a child I hand wrote stories. Hundreds of them. Then I learned to type. It was a glorious release. Then, the electric typewriter was born, and a golden age seemed to have arrived.

And then, the word processor was sent down from the mountain, and God had proved he loved his people.

No, I don’t want a return to the quill pen. But, when I get a new book delivered from a publisher, and I find that all they did was plug my ms. into a lay-out program which leaves my book ugly, boring, pedestrian and worse, filled with hundreds of technical mistakes … then suddenly I’m ready to start talking behind HAL’s back while hoping it can’t read my lips.

I just spoke with another author today who told me their new book arrived from a publisher who did the same thing, used a program to do the lay out for their book, but then didn’t bother to look at the results. Their book actually was printed and sent to the stores with strike overs in the text.

Sure it’s cheaper to not hire an editor, simpler to let the machine do the work, faster to not go through the effort of reading every single line for the tenth time, looking for dropped lines and extra spaces and run overs and strike overs and misplaced words and …

Well, you either get the idea, or you don’t.

What I’m trying to say is, don’t remove the human element from your work. When you type something, whether it’s a novel, or just a reminder to a friend as to where and when you are to meet, do it with care. Read over what you’ve written. Think about it. Decide as to whether or not it could be better.

Quantity … or quality?

Is it better to type up 500 meaningless, pointless texts a day, empty messages which will be forgotten instantly …

Instantly?

Or five or six texts which come from your soul, which tell those to whom they are sent something important, something vital, something lovely?

Spell check–good.

Caring enough to read it over after spell check–better.

Caring enough to re-write, and to think about what you’ve written, to actually explore your feelings and the depths of your soul, opening yourself to the world beyond, taking a chance on your ability to express yourself …

Yeah, it’s dangerous. But it has it’s rewards.

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Good-bye, Harry.

by Gail Z. Martin

OK, I’ll say it.  I’m going to miss Harry Potter.

For the last ten years, we’ve either had a book or a movie to look forward to, and I enjoyed every single one of them.  I loved sharing them with my kids, and I loved them myself.  The world of Harry Potter was just plain fun, with its wonderful word-play (like the Penseive), great characters, and a tangible level of realism.

I also loved the other level of Harry’s books.  The friendship, self-sacrifice, heroism and power of community, all of which seem to be in short supply these days.  The triumph of democracy over oligarchy (mud-bloods vs. pure bloods), and the power of seeing something through to the end.  Rare qualities, all of them, and the saving grace of humanity.

With my kids, I’ve seen all of the movies multiple times.  To me, they never get old.  I have my personal favorites—Sorcerer’s Stone and Goblet of Fire.  And while I quibbled from time to time over the length of coverage some Quidditch matches received (then again, I’m not a sports person), I didn’t really mind.

One of the things that meant a lot to me was that in the end, it was the regular people who overthrew tyranny and fascist rule.  The mud-bloods and the half-giants, the dwarves and the orphans, the misfits and the outcasts triumphed over powerful special interests who would have subjugated everyone to enrich a few.  Voldemort tried to seduce the wizarding world through greed and power.

And he would have gotten away with it, too, if it wasn’t for those meddling kids.

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Hats

by Casey Daniels

Writers wear a whole lot of hats, and lately, I’ve been getting a chance to try on every one of them.

Recently, it was the editing hat. I got the copy edits for “Wild, Wild Death,” book #8 in the Pepper Martin mystery series. My editor at Berkley Prime Crime had already been over the manuscript. Once he was done, a copy editor (usually a freelancer) got the manuscript.

Theoretically, a copy editor doesn’t make changes, and luckily, it was true this time. It’s not always so. I’ve run into a whole bunch of copy editors who want to be writers and who take the opportunity of going over my manuscript to make it sound the way they would if it was their manuscript.

But I digress.

Good or bad, thorough or too-thorough, edits are still edits, and for reading the copy edits, a writer needs one special hat. It’s the one that helps us thing logically–and dispassionately. I may love the sound of a sentence or an image I’ve come up with. But if a reader doesn’t understand it, if it’s muddy or unclear or serves as filler rather than moving the plot along, it needs to go. A good copy editor will find those things. A good writer will be willing to argue keeping them in when it’s necessary–and cut them when it’s not.

When I was done with that project, I changed hats and got back to outlining Pepper Martin mystery #9. I’ve got a November deadline for this book, and no time to waste. This is the part of the creative process where my brain can run free. I can explore all options, no matter how outlandish, try different things, create characters and situations and solutions. Oh yeah, it’s all about imagination and for this, I need my thinking cap.

That done, I put on my writing hat and started into the story. By the way, the book needs a title and I’d like to include the word “super” in it if possible. I welcome all your suggestions!

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Copy edits—small changes that make big differences

by Gail Z. Martin

I’ve just turned in copy edits on two books (The Dread and the next book in my social media series), and will do edits on a third book (the new Thrifty Author title) next week.  And while edits are never as fun as doing the actual writing, they are a very important part of making a book successful.

A good editor finds continuity errors (places you’ve accidently changed the facts), corrects punctuation and spelling, and suggests word changes to avoid repetition.  (Edits to plot come before this point.)  The copy editor suggests, and the author gets final say over what changes are made.  Declining a change usually happens because the change would alter the original intent of the passage (amazing how a simple word change can really change things), or create stilted dialog, introduce an anachronism, etc.

I accept probably better than 97% of the suggested changes because they are mechanical issues.  The remaining 3% are declined because they would change the story or affect characterization.  Sometimes, grammar has to bend to allow for how people really talk, or how a sentence “feels” when it’s read mentally or aloud.

I may never meet my copyeditors in person (although I have met several of them and it was quite cordial), but they are definitely part of my team, and I owe them a lot.  They make me look good, cleaning up my disregard for correct comma placement (sprinkle a few here and there), regional variations in spelling (I have a tendency to spell in the British fashion), and acute semi-colon deficiency.

So here’s to the copyeditors of the world, publishing’s unsung heroes!  You’re the people who know the difference between “eats, shoots and leaves” and “eats, shoots, and leaves”.  (Hint:  One has to do with diet and one is homicidal.)  Salute!

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Story ideas from real life

by Gail Z. Martin

OK, so here’s the making of a fantasy story…..

Once upon a time there’s a king and he’s come into possession of a magical item that has to be eliminated before it destroyed the entire kingdom.  Everyone agrees that if the magic item isn’t eliminated, it will cause a catastrophe.  Then the king’s advisors and the nobles begin to squabble.  Each side has ideas on the best way to get rid of the dangerous magical item, and there are hidden agendas in abundance.  No one is telling the truth, and everyone is out for his own self interest, regardless of the cost to the kingdom.  A few of the loudest nobles think they can discredit the king by making any plan to get rid of the magical item fail, and they’re willing to risk destroying the kingdom because their soothsayers have told them that the magical item isn’t really as dangerous as the others believe.  Political intrigue and backstabbing abound, while a hapless, helpless kingdom awaits a hero with the courage to take action…..

Hmm….sound familiar?  For those who have been under a rock (lucky you!), the above is a thinly-veiled version of the budget war in Washington.  But strip out the names of modern legislators and political parties and it could be a power struggle in Ancient Rome or in Medieval Europe or in a fictional kingdom, or on another planet.

The point is, people are people, and regardless of the issue or the time period, they can be counted upon to act in certain ways.  Much as the nostalgists would prefer to think otherwise, our ancestors and forefathers weren’t really any more noble, selfless or moral than modern-day folks.

What this means is, your next idea for a novel could be as close as today’s headlines.  Every published author gets asked, “Where do you get your ideas?”  But the truth is, you have only to read history or this week’s newsmagazine to get more ideas than you could write about in a lifetime.

Start by asking “what if.”  “What if” the situation didn’t happen now, but in the past?  What if it wasn’t the president and Congress, but a king and nobles?  Or maybe an emperor and the generals?  What if the catastrophe were more than economic?  What if the magic wasn’t  confidence in the financial system, but real magic?  What if the backstabbing was more than figurative?  If you’re stuck for ideas, start with the real stories in the headlines and replace one element after another to see what happens.  Replace the people, the place, the central object, revise the stakes, change the technology.  Getting some ideas?  Go forth and write!

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A Challenge in Writing Fantasy Short Stories

by Terry W Ervin II

www.ervin-author.com

https://uparoundthecorner.blogspot.com/

One thing on every writer’s mind as they are planning and writing a short story is word count. In almost every instance the shorter the work, the easier it is to find a market for it. It’s a balance of words, quality, and the story to be told.

In any case, there are more markets that accept 5000 word short stories than 7500 word stories, and some prefer word counts under 4000. Even those that indicate they will consider a 7500 word piece state it has to be really exceptional to be published. Consider in context what is being said, since I believe all publishers sift their submission pile for what they believe are exceptional stories. The longer the story, the higher the hurdle for it to reach publication.

Now consider writing a fantasy story. The writer has to introduce the reader to the created world, demonstrating or explaining ‘how it works differently’ as compared to the reader’s mundane, everyday world. The world building has to be packed within the context of the story while keeping the plot moving forward. Give the readers just enough to make sense, enabling them to understand. Allow the readers to fill in some of the blanks where ever possible.

An example to illustrate: A writer doesn’t need to explain to readers how an insecticide bug spray works (and its limitations) on a cockroach menace. The average reader can see the property owner in his mind’s eye removing the cap, pointing the can and pressing down on the nozzle, while avoiding inhalation of toxin. But a writer of fantasy may have to explain how a net stung with iron beads might be used by the royal gardener to snare the flitting fairies that have been stealing the blooming royal snapdragons.

In both examples the character is trying to get rid of pests, but the former dealing with the cockroach infestation would require fewer words than the latter dealing with the fairy menace. Maybe it would only require thirty words spread over a few sentences, but that adds up quickly when considering a word count limit of 5000. Why include the episode about the iron affecting magical creatures? Maybe it’s a way of establishing the rules or laws of that world for when a larger, more dangerous magical foe comes into conflict with the protagonist—so that the full explanation isn’t necessary, possibly right in the middle of intense action.

Maybe that’s part of what interests readers of fantasy—the discovery of new worlds and creatures, and how they interact. But there’s more than just how the fantasy world differs from the reader’s everyday experience. The story also has to include characters the readers want to follow through their interactions and adventures. Creating characters and relaying the story’s action takes words too—if at all possible everything tucked nicely into the 5000 word (or less) box.

So that’s the challenge. Write a short story with all the necessary elements, while including content related to the fantasy setting that is both necessary and intriguing. And keep the word count under the limit.

 

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The Greatest Teacher You Never Had

By Alethea Kontis

I haven’t had a lot of odd jobs in my life. Most of my jobs–like my relationships–have been long-haul kind of things. My first job was concessionist at a movie theatre when I was sixteen–by the time I turned twenty, I was running the place. That same year I graduated college and got a second job at a bookstore, and I haven’t left the publishing industry since. But there was a very brief time, in those first few months after I moved to Tennessee, before I landed the library job and another movie theatre gig, that I put my resume in at a temp agency so that I could get on the roster as a substitute teacher.

I was a substitute teacher for one day.

I sat in at the Daniel McKee Alternative School in Mufreesboro. That’s right, I got an entire day with juvenile delinquents. Right now you probably think you know exactly how this story ends, but you would be wrong.

I had a wonderful time with the kids. We chatted and laughed. We played Hangman with movie titles. One of the boys made me a rose out of a napkin. The only time I ever felt out of place was when I overheard one girl saying that her dad could drink another girl’s dad under the table any day. We didn’t do anything on the syllabus (they claimed they’d already done it), but they didn’t burn the school down, so I call it a win.

The second time I got the call, I was asked to sit in for a band teacher at Smyrna High School. Band? Ha! I couldn’t play an instrument if my life depended on it, but I was still excited. I put on the exact same outfit I wore to Daniel McKee, drove forty-five minutes to get to the school, and walked right into the office…where the secretary promptly ignored me. I took the initiative and asked, “Where is the substitute teacher sign-in sheet?” She pointed me to a closet-sized room behind her desk, and then promptly got up from her chair and walked away.

As I was signing in and greeting the other subs, I was stopped by a woman in the doorway with a horrible hairdo, pearls, and way too much make-up. The secretary peered anxiously over her shoulder. She introduced herself as the Vice Principal, and then proceeded to inform me that I was not adhering to the dress code.

I was taken aback, not just by her ridiculous accusations (since my oversized sweater and black leggings had obviously been fine for the other school) but also by the fact that the placement of her confrontation (the doorway) forced every one of the other subs to witness my scolding. She told me that my options were to go home and change, or to let them call in someone else in to sub. I was not about to drive an extra 90 minutes to kowtow to this woman’s demands, so I told her to call someone else.

As I stomped out, a student asked incredulously, “You’re substituting for Mr. Miller?” “Not anymore,” I answered.

To this day, I’m not sure how I would have handled that encounter differently. I could have put on my prom dress and gone back. I could have accused the woman of blatant age discrimination, which in hindsight was painfully obvious. (I looked like a high school student until I was 30. Now I look like a college student.)

I do know one thing, though–I wouldn’t have let the event affect me as deeply as it did. I let this woman crush my soul and spiral me into a horrible depression. In five minutes, this complete stranger brought back all my teenage insecurities and slapped me in the face with them. Because of her I turned down every other future sub request from the temp agency. Only later did I find out that a few of those calls were from a dear friend who taught an English class and had specifically requested me. I regret not taking those calls, and I am not a person who lives to regret.

As a writer, however, I highly valued this encounter. I needed to experience what it was like to face adversity, to be caught off guard. I needed to know that one’s past never stops haunting. I needed to know that even my strongest main character is subject to emotional downward spirals.  I needed to accept the fact that some internal struggles will never be resolved. In the adventure of life there is no “right” answer. The only “wrong” answer is not moving forward.

I was a substitute teacher for one day.

I think the person who learned the most was me.

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