Author Archives: disq2332

About disq2332

I'm Gail Z. Martin and I write epic fantasy, urban fantasy and steampunk--so far! My newest series is Scourge: A Novel of Darkhurst. I'm also the author for the Chronicles of the Necromancer series, The Fallen Kings Cycle, The Ascendant Kingdoms Saga, the Deadly Curiosities urban fantasy series and co-authored with my husband, Larry N. Martin, the steampunk series Iron & Blood.

What Authors Really Want

by Gail Z. Martin

Of course, authors want people to buy and read their books. Authors also want readers and reviewers to say nice things about the book to others, encouraging more sales. Authors would like to be featured in the media as an expert and as the writer of a successful book. Some authors want to use a book to encourage readers to become clients of their business. Many authors see the value in being invited as a speaker to events, conferences and conventions. They want to use the book as a platform; and they also want to use speaking engagements to connect with more readers.

For authors who plan to write more than one book, they’ll want to keep readers fired up about how much they liked Book One so that they will run out and buy Book Two. Authors who have written a book about making personal, social or political change may also want to keep readers engaged so that readers will put what they’ve read into action. Most authors want to be seen as experts and as successful and credible professionals.

Whether or not your website is successful depends on how well is gives readers what they want and helps you get what you want as the author.

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Building Your Website: Building Relationships with the Reader

by Gail Z. Martin

As an author, you have a vested interest in turning the transaction of buying a book into an ongoing and longstanding relationship between you and the reader. Your website is one of the most important ways you can develop and nurture this relationship, but you need to understand what makes readers reach out to authors so that you can keep them coming back for more.

What Readers Really Want

When a reader finds a book that is really special, the reader wants to continue the experience. A non-fiction book may be so helpful that readers want more tips, more information, or help in applying the book’s content to their own situation. A fiction book might build such a pleasant or interesting make-believe world with characters that have become real to the reader that readers don’t want to leave. They want more details, inside information, and hints about what happens next.

Readers also want to feel that they have gotten to know you better as a person. Maybe they are interested in knowing why you chose to write about your topic, or how you came to be an expert. Often, they want to know what kinds of books you read, who you look up to as experts, and what you’ll be doing next.

To the extent that your website can meet these needs and answer these questions, you’ll be building a relationship with the people who keep you in business as an author.

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Let’s Hear it for the NPCs

by Gail Z. Martin

At Lunacon, I was on a panel called “The Magical Middle Class” where the topic was secondary characters (or as gamers refer to them, Non-Player Characters—NPC) in fiction who possess magic but don’t have awesome jobs.  It got me thinking about how important background characters are, and how poor our fiction would be without them.

There are a lot of magical middle classers in the Harry Potter series.  Mr. Weasley is a perfect example.  He has magic powerful enough to be among the Order of the Phoenix, yet he has a job as a mid-level government bureaucrat.  Think about the series, and you find a number of people with jobs as shop keepers, bus drivers, and even Hagrid, the grounds keeper, who have very ordinary jobs despite magic that would make them extraordinary in our world.

In any book, but especially in a series, those background characters add life and texture when they’re done well.  They may never have a heroic role, but they make the world feel more real.  They are, as Mr. Rogers put it, “The people that you meet each day.”

Often, these characters serve as a source of information, an unlikely intelligence network, or an unofficial Greek chorus.  They’re the bartender, the cop or night guard, the janitor, the barrista, the waiter, the neighbor.  They’re the casual acquaintances, the people you see often enough to have a conversation with, and yet don’t know quite well enough to invite them to dinner.  Yet their conversations and interactions can reveal a lot about characterization, and can provide important, even essential clues to action.

So the next time you’re reading, pay attention to the NPCs.  They’re not the hero or the villain, but they are an essential support team, and play a role far more important than is often acknowledged.  Hooray for the magical middle class!

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Come see me at a signing!

by Gail Z. Martin
Come see me at a signing!

  • In-store signing at Books-A-Million at Carolina Mall in Concord, NC  on Mar. 30, 5 – 7 p.m.
  • Ravencon, Richmond, VA April 14 – 15
  • In-store signing at the Barnes & Noble at Birkdale Village, Huntersville,  NC on April 21, 2-4 p.m.
  • In-store signing at Park Road Books in Charlotte, NC on Apr. 27, 7 – 8:30 p.m.
  • Watch for more in-store and con signings to come!

I’d love to hear from you—please comment on my blog or on Facebook, and of course, I always really appreciate it when you forward my posts to your friends.

I hope to meet you at a convention or signing this year.  Enjoy!

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Who Are Your Favorite Villains?

by Gail Z. Martin

OK, so I’ve talked about favorite heroes, but what about favorite villaians?  Who are the people I love to hate?

I don’t buy into the idea that a villain needs to be sympathetic. Understandable, but not sympathetic.  While a good villain needs a back story, I don’t think it’s essential to identify with them.  Sure, no villian believes he or she is bad.  Yes, many villains had terrible childhoods or endured some kind of trauma.  But so do many other people who don’t become villains.  In fact, the split in the path between hero and villain lies in the choice of what to do after the trauma.  Do you identify with the victim, and vow to keep terrible things from happening again, becoming the hero, or do you identify with the perpetrator, choosing to make others suffer as you have suffered?

I have a fondness for comic book villains, maybe because they’re just so  cool.  So  yes, all of Batman’s foes make my favorite’s list.  Ditto for Spiderman and the Fantastic Four and the X Men.  I liked the nuances that were so much a part of Voldemort, but I found the “banality of evil” of Cornelius Fudge and Delores Umbridge to be equally scary because they are so real and I have met their real-life counterparts.  For sheer stage presence, you gotta love Malificent (great costume), and the Shadows of Babylon 5.  Angelique from Dark Shadows had a single-minded stalker quality that made her pretty scary.  I never really bought into Anakin Skywalker–perhaps he should have been fed to Louis from Anne Rice’s books and they could have been angsty together.  But I think one of my very favorite villains is Belle Morte from the Anita Blake series and

So who are your favorite villains and why do they rock?

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Who are your favorite heroes?

by Gail Z. Martin

I did a post recently for Orbit’s blog about some of my favorite SF/F heroes.  You can read it here:

Of course, there’s not enough room in one blog post for all my favorites.  I’ve been a Batman fan since I was a kid (goes with the vampire thing, I’m sure).  And along with that certainly goes other favorite vamps like Lestat (because Louis is too whiny), Barnanas Collins (the Jeremy Iron’s version), Acheron,  the Count Saint-Germain and even Sinclair from Mary Janice Davidson’s Undead series.

Big surprise that mages also turn up on my favorites list.  I was pleased to watch Harry Potter grow into a strong heroic character.  I liked Belgarion from the David Edding’s series, pretty much all of Mercedes Lackey’s main characters, and Camber of Culdi.

I like heroes who have self doubt, who aren’t arrogant in their power, who are conflicted and question themselves, which keeps a hero from becoming a vigilante.  I want heroes who are believable as real people, not just cardboard cutout, square-jawed action figures. I also want to see heroes who have meaningful personal relationships, someone who has people he or she truly cares about, who has a reason bigger than him/herself to act.

That’s what I try for in my own heroic characters, although I think each of them would try to wiggle out of the term “hero.”  So here’s where I’ll turn it over to you.  What makes your heroes tick?

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Where fact & fantasy meet: Remote viewing

By T.W. Fendley

I love to read stories that explore possibilities, which is why speculative fiction is my favorite genre. I get a kick out of following someone’s journey to a place only their imagination could take them. I’m also fascinated by the scientific and metaphysical underpinnings–that’s what makes these tales “snap” for me. What I’ve discovered is that reality is often stranger than we think.

The thrill of walking the narrow and sometimes muddied path between reality and imagination is what keeps me writing speculative fiction. I wrote most of my historical fantasy novel, ZERO TIME, in 2007, after I took early retirement. With more time to do things that interested me, I also took a more hands-on approach to studying metaphysical concepts.That included becoming more involved with an Edgar Cayce book study group I had joined a couple of years earlier. If you’re not familiar with him, the “sleeping prophet” was America’s most documented psychic. My mother had told me about Cayce when I was a teen, but this was my first chance to talk with people who studied his work. In my book, I patterned much of Omeyocan culture on the metaphysical concepts I was learning from them and the books we read.

My first attempts at remote viewing were during an online course offered by the Association for Research & Enlightenment (Cayce’s organization) in November 2007. Which brings me back to my comment that reality is often stranger than we think. Remote viewing (RV) provides a perfect example.To give you a non-technical definition, RV is a scientific protocol developed by the military during the Cold War. Viewers learn how to enhance communication between the conscious and subconscious mind, and develop their skill at describing places and events across time and space. It’s an ability most people have, but some are more talented than others. Here’s what remote viewing looks like when someone really good does it: Pam Coronado

Remote viewing inspired parts of ZERO TIME. For instance, early in the book, the expedition leader Xmucane is trying to find her mate, Xpiyacoc, by teaching others how to use crystals to enhance telepathic communication.

“You can’t just think it, you have to feel it. Communication flows through dimensions that don’t follow linear time or geographic limits that we perceive … Now focus on the [crystal] orb you just created and clear your mind of all thoughts … It’s hard to receive messages that don’t make sense to you. You have to overcome the doubts expressed by your own inner voice to get to the true guidance of your higher self.”
‘But a rainbow-colored serpent?’ Starry Skirt asked.
‘Even that,’ Xmucane said.”

My studies of remote viewing continued in 2009 with a weekend workshop at the Monroe Institute on “intuitive investing” using a technique called Associative Remote Viewing (ARV). I’d also been looking into quantum entanglement and wondering what it would look like in practice. ARV gave me the chance to experience some of those connections across time and space, ones I’d only imagined in ZERO TIME. Since 2009, I’ve documented more than 700 viewing sessions with statistically significant results showing a higher than random rate of success. Some sessions by me and others are shown on a blog I host, www.ARV4fun.com.

I’d love to hear about situations you’ve encountered that defy conventional explanations. Do you write about them?

Thanks, Gail, for being a Party Host in my Virtual Book Tour Party!

The ZERO TIME 2012 Virtual Book Tour Party is here!

To celebrate, T.W. Fendley is giving away a Maya-Aztec astrology report, a Mayan Winds CD, ZERO TIME tote bag and fun 13.0.0.0.0. buttons. Check out the prizes and other posts on the Party Page.

3 ways to enter  (multiple entries are great!)

1) Leave a comment here or on any of the other PARTY POSTS listed on the Party Page.

2) Tweet about the Virtual Party or any of the PARTY POSTS (with tag #ZEROTIME2012)

Example: Join the Virtual Party for historical #fantasy novel ZERO TIME by @twfendley for a chance to win prizes! #ZEROTIME2012 https://bit.ly/x91NgP

3) Facebook (tag @T.W. Fendley) about the Virtual Party. (NOTE: tag must have periods to work)

Example: Join the Virtual Party for historical fantasy novel ZERO TIME by @T.W. Fendley for a chance to win prizes! https://twfendley.com/?page_id=510

 

You can find ZERO TIME at:

Ebook $4.99

Paperback $16.95

 

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Adding Texture To Your Writing

by Gail Z. Martin

Does your fictional world have texture?

By texture, I mean details that make your world immersive for your reader, engaging all their senses as well as their imagination.

Think about the “texture” in your everyday life.  That includes things like the weather, background noises, ambient scents, and the colors, people and landmarks you see each day.  How would your world be different without those things that form the setting for your life?  Now think about your writing.  Without those textural details, what’s missing from your characters’ world?

Without texture, our fictional worlds and characters seem flat and unrealistic.  When we don’t work those details into our writing, our readers lose out on the feeling that they have truly visited.

How can you add texture to your world so that readers can recall not just what happened, but the sights, sounds, smells, feeling of the world itself?  If you’ve ever visited someplace on vacation that was very different from where you live, you know that years later, you recall not just what you did or saw, but the food you ate, the color of the light itself at different times of the day, the smell of flowers, the feel of bed linens, the voices of people you met.

Make your fictional world come alive in a whole new way when you add texture to your writing, and make your story memorable for your readers!

“Like” my WinterKingdoms page on Facebook and enter to win a prize package of signed books, foreign editions and rare Advance Review Copies  https://on.fb.me/yRGfHD

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In Defense of the Unhappy Ending

by Jennifer Pelland
www.jenniferpelland.com

I was recently on a panel at the Boskone science fiction convention titled “Optimism vs Darkness in Science Fiction” where I came down squarely on the side of darkness. Much to one audience member’s dismay, I declared that there could be no suspense unless there was a real possibility that things might not work out in the end. She felt there was suspense enough in seeing specifically how the happy ending came about. Good for her, but frankly, that’s not enough for me. From time to time, I need to read about people crashing and burning and not getting back up again at the end.

What this really boils down to is this: are you an escapist reader, or a catharsis reader? Neither is better than the other, neither is deeper or more meaningful, but it’s difficult for a catharsis reader to really understand an escapist reader and vice versa. I, not surprisingly, am a catharsis reader. I don’t pick up a book to escape to another world, I pick up a book to help make more sense of the world I’m in. Yes, the book can do this even if it’s set in another world or another time. It can make me laugh, make me ponder something I’d never thought of before, or put me through an emotional wringer, but if I don’t come out the other side feeling changed, then I feel cheated.

At this point, I imagine the escapist readers are all scratching their heads and saying, “Yeah, but you can do that with a happy ending.” True, you can. But life isn’t all happy endings, and I sometimes desperately need to read about other people whose stories end badly. To give a concrete example, my father died a year ago after a brief battle with cancer. None of the treatments worked, and his death was so horrible that I wouldn’t wish it on any but the most monstrous of people. So when I read stories about people bouncing back from cancer and going on to a full recovery, or read news pieces on wonderful new cancer treatments that are in the pipeline, I don’t feel uplifted — I feel cheated. And yes, an unhappy ending to a cancer story absolutely guts me, but when I read it, I don’t feel so damned alone. And that helps me make sense of the fatherless world that I currently live in.

And yet, I do still need some happy endings. I was sobbing wreck ten minutes to the end of last year’s Doctor Who Christmas special, and I vowed that if it didn’t have a happy ending, I would fly to the U.K. and personally smack Steven Moffat. But if he hadn’t already had a few episodes earlier that season where things hadn’t turned out well, the Christmas episode wouldn’t have hit me so hard. My inner cynic would have kicked in and told me, “Oh, he’s just pulling your strings — of course everything will turn out fine!” Presto — no waterworks, no catharsis, no point. So because I knew there was a chance that things wouldn’t work out in the end, I was so much more invested in the characters’ struggle than I would have been without that uncertainty.

Am I advocating that everyone run out and start reading stories with unhappy endings? No. I’d never do that. We all read for different reasons, and there’s nothing wrong with that. It would be a boring world if we all had the same brain, and it wouldn’t leave much to write about. All I’m asking is that escapist readers extend a little understanding to those of us who need some stories to end badly, and maybe that they buy a few books by us Debbie Downer authors for their catharsis-reader friends.

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On The Road With The Dread

by Gail Z. Martin

The Dread, Book Two in The Fallen Kings Cycle, is now available!

The Dread is the conclusion to the struggle for control of the Winter Kingdoms that began in The Sworn.  For those who have read my Chronicles of the Necromancer series, it’s the sixth book following the lives, struggles and adventures of Tris Drayke, Kiara Sharsequin, Jonmarc and Carina Vahanian, and the rest of the crew.

  • “Like” my WinterKingdoms page on Facebook and enter to win a prize package of signed books, foreign editions and rare Advance Review Copies  https://on.fb.me/yRGfHD
  • Watch the video:   https://www.youtube.com/watch?v=teyvxnIEITg
  • Excerpt #1 https://www.4shared.com/document/aypH5jjv/An_excerpt_from_The_Dread_chp_.html
  •  I’ll be out and about with The Dread, so catch me here:
  • Reading and signing at SheVaCon in Roanoke, VA Feb. 16 – 18
  • Launch party at Mysticon in Roanoke, VA from 7 – 9 pm in the Con Suite on Feb. 24
  • In-store signing at the Barnes & Noble at The Arboretum, Charlotte NC on Feb.
  • In-store signing at Books-A-Million at Carolina Mall in Concord, NC  on
  • In-store signing at Park Road Books in Charlotte, NC on
  • Watch for more in-store signings to come!

I’d love to hear from you—please comment on my blog or on Facebook, and of course, I always really appreciate it when you forward my posts to your friends.

I hope to meet you at a convention or signing this year.  Enjoy!

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