Tag Archives: Gail Z. Martin

What Writers Wish Readers Knew

by Gail Z. Martin

Writing is a strange business.  We writers labor in relative solitude, and then thrust our work into the public eye.  We get to meet a small fraction of the people who may consider or read our books.  And yet, there is so much we’d like to tell them.

So here are a few things I wish readers knew, or at least considered as they read.

#1—If you’re reading a series, enjoy the fact that you get to know the characters over a period of time.  Realize that you won’t know the people or the situations as quickly as in a stand-alone book, by design.  You can’t hold a book early in a series to the same expectations for quick character development as you can a single book.  And by the same token, if you come into the middle of a series, expect that there will either be some recapping or you won’t know everything.  How different is that from real life?  When you first meet someone at age 30, you don’t know their history all at once, not the way you do with someone you grew up with.  Savor the chance to get a leisurely introduction.

#2—Before firing off an email or a review on how an author got a historic element “wrong,” stop and ask—am I sure?  For example, I was recently taken to task by a reviewer who quibbled with my women fighters, stating that it was a modern view of women unheard of in the ancient world.  Oh really?  Joan of Arc, Elinor of Aquitaine,  Boudicca, Tomyris, Zenobia, and the Trung sisters are just a few examples of stories about ancient women who kicked ancient butt.  Especially in historical novels, pop culture’s understanding of how things were is usually woefully myopic and frequently incorrect.

#3—Please read the book as the author’s vision, and try to enjoy it as such.  Sure, if you’d been writing it, you would have done things differently.  But then it would be a different book.  If that really bothers you, maybe it’s time for you to start writing the books you want to read.  That’s what got me started.  There were stories out there I wanted to read and no one was telling them in the way I wanted to read them.  Who knows?  Instead of writing a review, you could be launching a new career!

Stay tuned for Things Readers Wish Writers Would Keep In Mind

 

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Filed under Books, Conventions, Fandom, Gail Z. Martin

Balancing Act

by Crymsyn Hart

The summer is gearing up with conventions that I’ll be heading out to so I can hang out with some other cool authors and meet some great new people. I’ll be headng to Fandom Fest in Kentucky in July and then Authors After Dark in August. There I’ll be chilling with some more paranormal romance authors. I can just imagine that we will be talking about. Getting up together with more than three hundred women will be an interesting experience and who knows if there will be a cat fight or two.

Before all of that, I’ve found that I’ve been confronted with a balancing act of late. Writing for myself and writing for the market place. Not speaking for anyone else, but over the past couple of years I’ve noticed the market place has changed. Vampires used to be huge (not that they aren’t anymore), but zombies seem to be the in thing this year. At first it was okay to write just one couple in a book and the reading population was happy.

Now it appears that menage a trois and multiple partners are the new rage. Trying to follow the market, I’ve dabbled in this genre of the erotic romance, but find it difficult to keep up. I’m more of a one man and one woman kind of girl even though adding in the other characters makes for an interesting twist on the plot. So the question is, how do I balance everything?

I’ve always stuck by the staying that you have to write for you and not for the market. Most of what I write is for me. And I do admit, I bow and have found myself writing more of the erotic and adding in more of the sex than I find necessary, but hey, people love to read about sex. I find that I write more of the multiple partners as a dare to myself. Just to see if I can do it. And if the dare doesn’t work out, well then I guess I have to write more for me and hope that others en

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Filed under Books, Crymsyn Hart, Gail Z. Martin, J.F. Lewis, Tina R. McSwain

Value of Anthologies

by Danielle Ackley-McPhail

You know…I hear an awful lot that the major publishers don’t do anthologies because there is no money in them. Well, if I’ve said before I’m saying it again, I’m not in this business for the money (saves on a lot of disappointment. For me, the value in anthologies is their promotional opportunity. In this age of the growing list of extinct genre magazines there are not as many ready sources for print publication of short stories. Okay…let me amend that, there weren’t as many ready sources for print publication of short stories. That is rapidly changing to the extent that even the major publishers are scrambling on to the anthologist’s wagon.

But back to why I’m doing this. From a promotional standpoint, for the amount of time it takes me to key a short story I have the opportunity to group my work (assuming it will be accepted) alongside a variety of other authors, each of which have their own dedicated fan base. That means all of my fans that pick up the book because I haven’t finished the next novel yet, and all of their fans that pick it up for their various reasons all get to read—I hope—my story.  Now, let’s ramp that up a bit. Let’s assume that at least one of those authors is a “name”. All of a sudden the scope of the exposure is exponentially increased.

Now, given that anthologies are these days generally themed in addition to all those theoretically amassed fans of specific authors, we also have all the fans of whatever particular genre or theme the anthology in question is targeting. For example, my story In the Runes was accepted for the anthology Rum and Runestones, a collection of pirate-and-magic stories. Pirates are very popular. So is magic…with the fantasy crowd, anyway. This means that a story that might have been hit-or-miss in a general fantasy anthology will be more likely to find its target audience because the readership already knows what to expect when they pick up the book.

So you see, anthologies hold quite a bit of benefit to those that write short fiction.

For me, however, there is even more to it. I am also an editor of anthologies, or in probably more accurate terms: an anthologist and packager of anthologies. The difference? I do all the work and simply turn in print-ready files to the publisher. The reason I embrace the stress and strain of this when I could be writing quietly in my own little world? I LOVE to create books from concept to completion. I get ideas…lots of ideas…and then I run with them! Anthologies let me do that a lot quicker because others have to do most of the writing. Currently I am senior editor of both the Bad-Ass Faeries anthologies (Mundania Press) and the new Legends of a New Age anthology series (Dark Quest Books).

But the best reason of all for my particular insanity? I want to help those who are where I used to be; those just getting started, those not quite sure how to go about climbing that ladder to stand beside me. If I can help other aspiring authors get their start and avoid some of the pitfalls I encountered along the way, then I have done a good thing and I can be more than happy about all the effort I put into creating and promoting these anthologies.

If you would like to learn more about my novels or the anthologies I have been a part of, please visit www.sidhenadaire.com or www.badassfaeries.com.

BIO

Award-winning author Danielle Ackley-McPhail has worked both sides of the publishing industry for over fifteen years. Her works include the urban fantasies, Yesterday’s Dreams, Tomorrow’s Memories, and The Halfling’s Court: A Bad-Ass Faerie Tale. She has edited the Bad-Ass Faeries anthology series, and No Longer Dreams, and has contributed to numerous other anthologies and collections, including Dark Furies, Breach the Hull, So It Begins, Space Pirates, Barbarians at the Jumpgate, and New Blood.

She is a member of The Garden State Horror Writers, the New Jersey Authors Network, and Broad Universe, a writer’s organization focusing on promoting the works of women authors in the speculative genres.

Danielle lives somewhere in New Jersey with husband and fellow writer, Mike McPhail, mother-in-law Teresa, and three extremely spoiled cats. She can be found on LiveJournal (damcphail, badassfaeries, darkquestbooks), Facebook (Danielle Ackley-McPhail), and Twitter (DMcPhail). To learn more about her work, visit www.sidhenadaire.com or www.badassfairies.com

You can listen to the audio from when Danielle was a guest of Blog Host, Gail Z. Martin’s Ghost in the Machine podcast here:  https://www.audioacrobat.com/play/WZW7hSbx

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Fandom needs its Glee

by Gail Z. Martin

Thanks to Glee, American Idol, Dancing with the Stars and Guitar Hero, my kids know the words to all the songs that were popular when I was in high school, and quite a few songs that made the charts when I was still riding a tricycle.

These TV shows, plus Karaoke and dance video games and the ubiquitous Rock Band have made the hits of the 70s and 80s—and some of the 60s—cool again.  Sure, the songs have an updated sound (no chord organs), and they’re not the original artists.  But as covers go, they’re pretty damn good.  Better than many cover bands I’ve heard.  But what really matters is that these shows and games managed to make songs that were meaningless to teens and  twenty-somethings relevant and relatable.

So how does fandom go about doing the same thing for the favorite books that aren’t on the radar of anyone under 50?

I think one thing that’s important to note about the Glee phenomenon is that no one lectured viewers about the relative merit of the old songs.  Not only that, both artists and performers had to be willing to bend to update the sound.  And it doesn’t work for every song.  I don’t think we’ll be seeing the car crash ballads of the 1950s revived, unless they’re updated for drive-bys. (It’s possible.)

What does this mean for fandom?  Instead of bemoaning the dearth of young people at (some) cons, perhaps some bending is in order from the old guard to entice young fen into the flock.  Media cons certainly have young fans in droves, because they like the fames and the TV/movie tie-ins and the costumes.  How is that a bad thing?  These don’t diminish books; they extend our audience.

At the same time, it’s important to recognize that some stories won’t resonate with readers outside of the time period of the story’s creation because the world has changed too much, even for sci fi.  Stories that are overtly sexist, racist, jingoistic or otherwise exclusive will feel like ancient history, not futuristic tales.  Some stores, beloved as they may be, outlive their time.

The artists whose work has suddenly become relevant to a whole new generation are profiting from the exposure.  The original fans find themselves smiling and singing along, much to the amazement of their kids.  (If you’d have asked me if someday my teenagers would know the songs from Rocky Horror Picture Show, I wouldn’t have bet money on it, and I’d have been wrong.)  In fact, by closing the musical generation gap, these shows have opened a door to a whole new form of togetherness.

Cons can be a terrific forum for shared interests across generations.  I’ve seen it happen.  If it’s not happening at a con near you, tune in to an episode of Glee or fire up Guitar Hero and see if you don’t get a few ideas on how to bridge the gap.

 

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A Great Project

by Chris Jackson

We did a great talk at Ron Russell Middle School in Portland, Oregon yesterday. I did a talk on writing, and we brainstormed on a short story project – they provided the ideas, characters, genre, plot and setting, and I get to write it! Awesome fun! I’ll be doing a Science/Fantasy/Horror/Humor story about a cemetery-space station orbiting Saturn where a genetically modified Sasquatch and a talking monkey find a magical tome that animates a dead veteran soldier, who then raises an army of undead and must be placated by being married to a kidnapped rock star.

Wow… this should be fun!

Update: This awesome project has been percolating in my mind for a few weeks, now, and it came to me that it could be expanded to other schools in other states. How about this: a whirlwind tour of the US, and ideas for short stories from schools in several cities. Write them all up and put together an anthology! Proceeds go back to the schools for their Lit programs.

You can listen to the audio from when Chris was a guest of Blog Host, Gail Z. Martin’s Ghost in the Machine podcast here:  https://www.audioacrobat.com/play/WBhdhY3s

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Freebie Friday

Our guest blogger, Lori Handeland, is giving away magnets and bookmarks for joining her Full Moon Club at:

https://www.lorihandeland.com/full_moon_club.html

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Keeping the Fandom Flame in a Sci-Fi World

by Gail Z. Martin

What do you do when the fantastic becomes commonplace?

Back in the day, early in the 20th century, sci-fi had a lot of ground to cover. Rocket ships, ray guns, space travel, light-up gadgets—there was no limit to what could be imagined.

A funny thing happened on the way to the future. Reality caught up—and sometimes passed—sci-fi. Space shuttle launches became ho-hum. Middle school kids carry cell phones far more advanced that Uhura’s entire communication panel, let alone Kirk’s communicator and Bones’ tri-corder put together. Our cars not only talk to us, they plan out our route, dial our phones and can call for help if we get stuck. The Internet happened.

Personally, I think that the closer reality became to sci-fi, the harder it’s gotten for the genre to keep up. Maybe that’s why fantasy does so well—it’s easier to surprise us in the past than to predict a future more mind-boggling than the one in which we already live.
There’s a hidden benefit to this shift. Long ago, it was difficult for the average person to imagine a ray gun future because it was so vastly different from what someone living in a rural community in the pre-World War II world experienced, a world that for many people still lacked indoor plumbing and electricity. As sci-fi converged with the real world, it became mainstream.

One quick run through the programming on TV shows plenty of plots hinging on scientific thrills and wonders—as well as fantasy elements and the paranormal—that are on every network and channel, not just Syfy. Books that at one time would have been considered “fannish” become mega-bestsellers, like Harry Potter and Charlaine Harris’s Sookie Stackhouse books. Role-playing games broke out of the basement thanks to video gaming and took over every living room in America. Thanks to Cartoon Network, anime elements are as accessible as sushi at your local supermarket.

How do you keep the fandom flame? In my opinion, fandom wins when it embraces this new crop of readers, gamers and movie-goers and includes programming to attract them. Instead of considering mass-media newcomers as second-class, value their perspective and create ways to draw them further into other elements of fandom by exposing them in positive ways. Put the “fun” back in “fan” and stop taking fandom quite so seriously. Realize that the passing of the torch is inevitable, and is best done with grace and humor.
Older fans often remember the sting of exclusion from the “mainstream” culture. Let’s make sure fandom shows a more welcoming face now that we have seen the future….and they are us.

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Glamorous Life

by Lori Handeland

I used to go to work wearing make up, with my hair “done,” wearing skirts, hose, heels.  I had manicured nails.  Those days are done, and truthfully I don’t mind.  But I can’t tell you how many times I’ve had people upon hearing what I do comment,  “What a glamorous life!” after which they usually ask my husband why he’s still working for a living.

My day always begins at 5:30 am when I roll out of my canopied princess bed, complete with filmy harem curtains—ahem—I mean my king sized bed, of which I sleep on about ¼ because my husband and his dog hog the rest, and hit the shower.  In my mansion there is only one shower and if I don’t get it before the teenagers, forget about hot water.

For the next hour I masquerade as an alarm clock, routing teenage boys from their rooms, pounding on the bathroom door so the next guy can get his turn, feed, clothe, find lost homework, books, wallets and cell phones.  By 6:45 I shove them out the door and say, Whew!  The mansion is mine until 3 pm—in theory.

Since I am the queen of my castle, I do not wear make up; I do not do my hair.  For work I wear flannel pajama bottoms and sweatshirts, no shoes, just slippers.  It is heaven.

Until the doorbell rings and the Fed Ex man asks if I’m home sick.  Is that a comment on my appearance or just that I appeared?

Next I grab my coffee and sit at my computer to read over what I wrote yesterday on my latest work in progress.  I make some headway before my husband returns and sets up shop at the kitchen table.  His phone rings, the fax machine buzzes, the doorbell blares and his employees tramp in and out dropping off time cards and picking up materials.  I slam the door to my throne room and put in my ear plugs.

I return to the world of the Nightcreatures where kick ass heroines fight deadly monsters and survive.  Someone taps me on the shoulder and I shriek.  Luckily I can’t hear the shriek because of the earplugs.

My husband has just taken the new puppy for a walk.  He hands me the adorable ball of fluff.  As soon as I’ve enfolded him in my arms hubby says, “He rolled in poop.  Gotta go.”

Puppy and I take a shower.

Since I’ve been torn out of my imaginary world for the time being, I run to the drycleaners figuring no one will be there in the middle of the day.  The clerk says, “I’ll be right with you, Mrs. Handeland.”  The customer in front of me turns, looks me up and down and with a wrinkled nose says, “You’re the writer.”

Uh, no.  That would be another Mrs. Handeland.

When I get home, it’s time for lunch.  But the cupboard is bare.  The servants are really slacking off.  I partake of the last few grapes in the bag and some cheese.  That should get me through until the chef makes dinner.

The cover for my next book arrives via e-mail attachment.  “How do you like it?” my editor asks.  I stare at the beach scene they’ve put on my jungle book and wonder if I got someone else’s cover.  I point out that there is no beach in this book.  “Can you put one in?” my editor asks.  I spend an hour creating a dream sequence for my heroine, complete with a walk on the beach.  By the time I’m done, they’ve changed the cover to a jungle.  But they like the beach scene so much, they leave it in.  I can’t decide if that’s good or bad.

I manage a few more pages in the Nightcreature world before my younger son calls to be picked up from school.  I drive there in my work clothes, then spend the return ride hunched over like a crone wishing I had long hair to cover my face since my darling son neglected to mention I was also giving 6 of his friends a ride.   “Dude, is your mom sick?” one of them asks.  “No,” he answers, “she always looks like that when she’s writing.”

Like what?  I think, but I know better than to ask.

At home, the chef has not shown up.  The servants have not returned from the grocery store and the dusting fairies haven’t arrived yet either.  I mix a casserole with noodles and whatever is left in the house—noodles will cover a multitude of sins around here–then return to Nightcreature land where my heroine never has to make dinner, run errands or pick up a truckload of teenagers.  Her puppy doesn’t poop (because she has no puppy, although werewolves are another story) and if someone recognizes her when she’s out and about it’s usually to say “thank you for saving my life” unless of course, that person, or creature, has been sent to kill her.

Come to think of it, even with the puppy poo, I like my life so much better.  I get to visit other worlds every single day, and in my imagination I can be anyone and still return to my glamorous life whenever I want.

So tell me, what’s the biggest daily interruption to your glamorous life and how do you cope?

For more information on my paranormal romance series, The Nightcreature Novels go to:

www.lorihandeland.com

You can listen to the audio from when Lori was a guest of Blog Host, Gail Z. Martin’s Ghost in the Machine podcast here:  https://www.audioacrobat.com/play/WrNnPlDk

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Freebie Friday – Janny Wurts

Guest blogger, Janny Wurts, shares an excerpt of her latest book:

https://www.paravia.com/JannyWurts/website/Excerpts/StormedFortressExcerpt.html

Readings from her books can be found here:

https://www.paravia.com/JannyWurts/Version3/Audio/Readings.html

For folks unfamiliar with her work, To Ride Hell’s Chasm is a standalone fantasy with a plot that wraps up in four and a half days. It is available in print and e format.

An excerpt can be found at:

https://www.paravia.com/JannyWurts/website/Excerpts/ToRideHellsChasmExcerpt.html

A readng from the book can be found at:

https://www.paravia.com/JannyWurts/Version3/Audio/Readings.html

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Why book fans need media and gaming fans (and vice versa)

by Gail Z. Martin

I run into some groups of fans who have a “separate but equal” view when it comes to conventions. Some book fans get twitchy around fans whose primary experience with the genre comes via gaming, movies and TV. Multi-media fans sometimes don’t “get” what all the excitement is about listening to a bunch of authors talk in a hotel ballroom.

Can’t we all get along?

I’ll be the first to admit that I consume the genre in multiple ways: books, music, movies, TV, anime, costuming, and when time permits, role playing games (video and old school). For me—and for many fans—consuming the genre in more than one way deepens the experience.

Don’t get me wrong—I love books. After all, I write them. But I also enjoy the genre when it’s presented well in a variety of formats. I’ll get something different out of each experience. Experiencing the story in ways that stimulates multiple senses makes it more memorable, more tangible and more pleasurable.

That’s why I think that the books vs. media “controversy” is a tempest in a teapot. Book and multi-media fans have a lot they can learn from each other. Working together with respect for each other’s perspective and experience, they can gain a whole new way of alooking at their favorites. They can serve as cultural translators for each other, and in the process, find treasures in formats they might not have otherwise explored. I really believe book fans need media and gaming fans—and vice versa—because together they provide a more well-rounded and wholistic fandom, with roots in the past but comfortable and fluent in the present.

It’s worth the effort to bridge the divide. Fandom is stronger—and more fun—when we work together.

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