What is your kind of Porn?

by Crymsyn Hart

Now I know what you’re thinking and get your mind out of the gutter. I’m not talking about sex or anything kinky unless you think it is. LOL

This week two houseguests have taken over every available living space I have. Cohabitating with one another has been interesting when I’m not a morning person and they are. One is a relative and the other is a friend of ours. We all got into a discussion at the kitchen table, while they sipped coffee, and I made faces at them, about the coffin in my dining room. While being perfectly zombified, I told them the coffin was my friend and one of my favorite things. They suggested it should end up in one of my books. Of course the obvious would be in a vampire novel, but I’m not all about the obvious. So I fired back that it was part of my porn collection. The comment got me a snarky comment and coffee shooting out of my relative’s nose. But then I explained.
Porn, as defined by one of my hubby’s friend, is anything that gets him going, meaning his favorite thing which for him is remote control cars. So I ask you, what is your kind of porn?

Do you enjoy reading romance? Or maybe just reading about steamy firemen who have to hose you down? Is the crime drama your thing or something completely different?

Some of my porn actually does end up in the erotica I write. Cause well you know I write a lot of sex. But besides the vampires, I go for a good horror novel with lots of blood. So when I write that in a way is also my porn because it’s my favorite thing to do. So if you love to write, I say embrace your porn and make it your own.

Leave a Comment

Filed under Books, Crymsyn Hart

Revising a Time Traveling Vampire

By J. F. Lewis

I’m working on the revision letter for BURNED (Void City, Book 4) which will hit the shelves in February 2012, so my mind has turned to things like edits. As a result, we’ll skip ahead a bit. Let’s say that THE TIME TRAVELING VAMPIRE has been written and sold pseudonymously under the name I. M. Spartacus to Reilly Kool Editor at Big New York Publisher. Maybe foreign rights have already sold.

This applies a certain amount of pressure. Things have progressed from the land of “tee hee, I can have a scene where Mr. Garret fights a steam punk laundromat in chapter seventeen” to a revision request like: I love this chapter, but it does not work for the book. Maybe rewrite it with sentient mango people?

Welcome to the job portion of the process. You thought the butt-in-seat time was hard? Ha!

If you are like me, you hate revisions. In my Void City books, the edits I get usually aren’t things to which I object. They are quite reasonable, insightful, and they make the end product a much more enjoyable read. But that doesn’t mean revision requests are seen that way initially.

(As an aside, even that’s not why I hate revisions. I hate doing revisions because usually, when I’m done with a book, I don’t like it anymore. I’m sick of the characters and I want a break from them. It’s like the second week of a two week vacation with your best friend. At some point, no matter how much you love spending time with them, you still want their heads on a spike,)

But back to Mr. Garret and the mango people. (It should be noted that there is no analogous revision request in my rev letter for Burned). The inner writer almost always instantly rejects revisions on the first run through. Your inner writer may be more civilized than that, but mine is a whiny fussy baby.

MANGO PEOPLE, it may scream. WHAT KIND OF MORON THINKS, MR. GARRET SHOULD FIGHT MANGO PEOPLE?!?

(Never mind that Mr. Garret encounters Mango People four other times in the book and it’s clear that he fought them at some point in the past, so actually showing that fight might foreshadow the later events and make those chapters work better. Further ignore the fact that the laundromat sequence never comes up again and is really a vignette that belongs on the writer’s website as an extra. The inner writer doesn’t care about any of that at first.)

When you hit this point, my suggestion is a simple one: sleep on it. You may be surprised at how reasonable some of the requests seem in the morning or how you develope other fixes that are even better than the suggested ones. I never bounce anything back to my editor regarding revisions until three days have passed (unless time is of the essence). Give your inner writer time to calm down and stop being offended. Then you can sort the requests that are quite good from the few you really do have heartburn over.

Leave a Comment

Filed under J.F. Lewis

Heroes

by Michael A. Ventrella

www.michaelaventrella.com

Jeremy Wembley grabbed the broom by the handle.  He took forceful steps toward the back of the room where Patrick stood unaware.   Patrick paid no notice as Jeremy shortened the distance between them, and seemed completely oblivious to Jeremy’s presence.

Jeremy raised the broom just as Patrick turned around.

“I’ll sweep the stockroom now, Mr. Brenner,” he said.

Jeremy knew that if he continued to impress his boss, it would not be long before he could get that promotion—and soon after, get the real reward he desired:  night manager of the Fredricksburg 7-11 on West Norton Avenue.

Unless his arch-nemesis, that kiss-up Eric Stoher got there first…

All the elements are there.  There is a goal the main character wishes to reach, and an obstacle that can prevent him.  There is character development and conflict.

But, you know, who gives a flying you-know-what?

The fact of the matter is that we want to read stories about people and events that are larger than life.  We want to read about heroes to do great things, make clever comments, overcome great odds.

This is nothing new.  The ancient Greeks didn’t do plays about the guy who cleaned the stables.

And I am no exception.  My books have been about wars and world-shaping events and the heroes whose presence made a difference.

However, at the same time, I have consciously avoided the standard hero that is a mainstay of much of fiction (and especially fantasy).   You know the type – the Chosen One from Prophecy who is the seventh son of the seventh son who is the only one who can wield the magic sword Noonah because he has surplus midichlorians and blah blah blah.   Maybe this hero starts off the book as a nobody, but he or she ends up as the World’s Greatest Swordsman or Most Powerful Wizard by the end and thus, being superior to us lowly humans, saves the day.

In my two published novels (ARCH ENEMIES and THE AXES OF EVIL) and in a short story in the soon-to-be-released anthology TALES OF FORTANNIS:  A BARD’S EYE VIEW, my main character is a teenager named Terin.   His problem is that, thanks to a mistake, everyone thinks he’s the Chosen One Who Can Save The Day.

By the end of ARCH ENEMIES, Terin is still running when a fight breaks out and still can barely cast a minor spell.  So what makes him the hero?

To me, what makes a real hero is someone who doesn’t have all those skills and yet, through bravery and intelligence, rises above what is expected and does the extraordinary.   Terin is the hero because he figures out a solution – he finds a way to solve the problem that is more than merely “hitting the bad guy with the weapon until he falls down.”

I like these kinds of heroes because they remind us that we all can be heroes sometimes.

Oh, I don’t mean to knock down the more traditional heroes:  I love Batman and Luke Skywalker as much as the next fan.  But when I create a hero for my stories, they tend to be average people put into extraordinary circumstances who must then find something special within themselves to make things right.

In the sequel THE AXES OF EVIL, people are now thoroughly convinced that Terin has wondrous powers, even though he doesn’t.  Now he’s confronted with a trio of barbarian prophecies which, he later discovers, contradict each other.  On top of this, his liege wants him to get all the barbarians off his land, and a bunch of silly goblins think Terin’s the one who will lead them to victory over the evil humans who oppress them.

These are problems that cannot be resolved by being the biggest fighter.  Terin solves them all by the end of the book through his cleverness and resourcefulness, and by being brave and willing to risk it all.

That, to me, is very admirable.  It’s what I admire about my real life heroes (Benjamin Franklin and Martin Luther King, to name two).   And it’s the kind of hero I like writing about, because I can identify with him and understand his fears and worries.

 

 

 

Leave a Comment

Filed under Guest Blogger

Paranormally Speaking

By Tina. R. McSwain

They come to get you when its time…

I have a friend who is dying.  (The reason you did not see a blog from me last week).  She is currently at a hospice facility.  I spent all day with her on Saturday of last week, and yesterday.  I can tell she doesn’t have long.  She asked me to check out her room.  I asked her what she meant by this statement.  She said, you know, do that thing you do and see if anyone is here with us.  I began a short meditation, and did pick up on a man; rugged, tall and was wearing a hat.  I kept this to myself.

She continued and said, well I am seeing people.  I asked her what people, she said she was seeing her dad.  I knew her dad had passed many years ago, but I had never met him.  I asked what he looked like and did he favor wearing hats.  She said that he did, and that he was a tall, rugged man who had been a farmer all his life.  That confirmed what I had suspected.  Her time is drawing near, and her father is there to help her cross into the afterlife. 

What a comforting thought, that you don’t have to make that journey all alone.  Someone who loves you will be there to help, and allieviate any fears you may have. 

Godspeed, my friend.  I will miss you

Leave a Comment

Filed under Tina R. McSwain

Freebie Friday from Alethea Kontis

Alethea Kontis, our guest blogger this week, has a fun podcast project going where she reads aloud the original Grimm’s Fairy tales. Here is the link to “Cinderella”, : https://aletheakontis.com/2011/05/princess-aletheas-fairy-tale-theatre-episode-14/

Leave a Comment

Filed under Freebie Friday, Guest Blogger

Are magical objects cheating?

by Gail Z. Martin

Imagine that you live in a world where magic is commonly known to be a force of nature.  People and other creatures have the ability to work magic, large and small.  Some natural places concentrate (or repel) magic.  In such a world, is it really such a stretch to believe that natural and created objects could possess their own magic?

I’ve heard some people claim that giving a character a magical object like a ensorcelled sword, a spelled amulet or a rabbit’s foot that really is lucky is cheating.  Funny, but no one ever says the same when a character in an action movie pulls out an AK47.  To my eye, enabling an action movie hero to fight off an entire good army with one automatic weapon and limitless rounds of ammo strikes me as highly improbably, if not downright magical, and yet no one cries foul.

I write about worlds where magic is operative, so obviously I have a dog in this hunt, as they say.  And as with magic itself, I believe it’s important to have rules to keep magical objects and supernatural powers from becoming a “god in a box” type of power to  cheat and take the easy way out.  So here are my “rules” (actually, they’re more like guidelines) for magical object fairness.

#1  Warn the reader ahead of time what the object’s power is.  You can be oblique as to its full power, but the reader needs to know the magical object has limits and isn’t a whatever-the-character-wishes-it-to-be all-purpose magical Swiss Army knife.  Unless it is, in which case, rule #2 applies.

#2  If you’ve got the magical equivalent of a Swiss Army knife (a single object that can do a bijillion things), then there has to be a cost to use it, and the cooler the task the object does, the higher the price for the user.  In fact, the cost should be high enough to give any rational person pause about the danger of relying too much on the object.

#3  Give the hero reasons inherent to his/her character that makes them reluctant to use the magical object except in an emergency.  It can be pride, fear of magic, suspicion as to the object’s true nature, etc., but the hero/heroine should want to be self-reliant until all else fails.

#4  Even when circumstances leave the hero no choice except to pay the price and use the magical object, the hero should still be doing everything he/she can to save the day.  No fair sitting back and lounging while the magical object saves the day, even if you’ve just sacrificed your soul in order to get the object’s assistance.

If you think about magical objects with the same skepticism you have about “helpful” freeware programs for your computer, you start to get the picture.  Sure, the program is “free”, but does it upload malware, a virus, a trojan or some other hidden nasty that will crash the power grid, transfer every last penny out of your bank account or fry your system?  There’s no such thing as a “free” lunch, a free program or a free magical object.  Caveat emptor.

Leave a Comment

Filed under Gail Z. Martin

Does it turn you on?

by Crymsyn Hart

 

One of the most important things for marketing a book is the cover. I particularly love what’s between the book jacket, but the first thing a reader sees is the picture on the front cover. Hopefully that cover can give you some idea of what you might be getting yourself into.  Then again, a person might read a book, look at the cover and wonder what in the world had they read. I’ve done that a few times. I’ve grabbed a book that looked like something I had wanted to read and the blurb was pretty good, but after reading the book it had nothing to do with the cover. I’m sure that everyone’s done that.

One thing about working mostly with small e-publishers, I am lucky I can browse the various stock art sites and choose who or what I would like to be on the cover. I recently had a conversation with one of my cover artists. She did a wonderful cover for me, but I needed the model added to the cover to show it was an Interracial Romance. She countered that it would be shown as an IR from the blurb and the page it was one. However, my response was that I look at covers first before I read the blurbs especially when shopping online. I’m sure there are others who do the same thing. But it’s nice to have an input. I spend hours looking over different models who I think are a good representation of what my characters look like. Then that goes to the cover artist and they perform miracles with the stock art.

Many people don’t realize that e-books do have covers. But they do, and like their print counterparts, they turn people on or off.

What do you think about covers? Do you judge a book by it?

Leave a Comment

Filed under Uncategorized

More Time Travel. More Vampires.

By J. F. Lewis

When I was a kid, time traveling vampires were everywhere. (That’s a lie.)

I couldn’t walk out of my house at night without seeing them waiting to spring upon me in the dark. If only Mr. Garret (the time traveling gentleman from last Tuesday’s blog) hadn’t broken everything. Everyone knows the story, right? How he travelled to the future one time too many searching for blood of those he considered less moral than himself and encountered other vampires? (I’m making this all up, of course.)

Imagine his surprise when one of the vampires he meets is not just any old vampire, but his beloved wife? What might our Victorian vampiric gentleman do then?

In case you haven’t picked up on it, these time travel blogs are actually an attempt to explain in the strange nonsensical way available to me…how a writer as organic as me tends to work. I’ll be taking you through the process more each week and maybe manage to answer the question: where do your (meaning my) ideas come from? And maybe when we’re done, it will all make sense, I might even make this blog time travel a little itself.

But let’s focus on Mr. Garret a bit more first.

How would he react? Knowing your character enough to answer that question is vital when you’re a “discovery writer”.

How would he react to seeing his beloved wife changed into a monster like himself? If I know our Mr. Garret, he might travel back to try and discover what happened, to find the exact moment she changed and correct it. What havoc might that unleash across his own personal history?

As a writer, there are many ways to play with the terrible consequences that a (doomed or maybe not doomed… It’s hard to say this early on) quest like this might entail. What if the reader gets to notice that Mr. Garret’s wife is intact a different woman each time he travels back… That somehow Mr. Garret’s beloved Emma (or Jane or Rose) is being affected each time he travels and the vampire himself doesn’t even know it because his own personal history is being rewritten as well.

Great fun can be had when the reader knows something the character does not, but all that fun gets buried if the reader doesn’t think the character is behaving as he or she should. More next time…

And I wasn’t kidding about the time travel. 😉

Leave a Comment

Filed under J.F. Lewis

Molly and Jane Revisited

by Faith Hunter

www.faithhunter.net
https://www.facebook.com/official.faith.hunter
https://www.facebook.com/janeyellowrock

Evan: Today at Witch Central, the interview/blog spot for all things witchy, hosted by the Everhart sisters, we are posting an interview with Jane Yellowrock, the Cherokee shape-shifter / skinwalker who hunts rogue-vampires for a living. This is from a taped interview, transposed to type for the blog, and where possible, parenthetical comments will be included for clarity.

Our interviewer is Molly Everhart Trueblood, a moon witch, and because of the sensitive nature of some of the questions—and answers—this blog will be a closed interview, available to only the supernatural community. No humans have been sent the password to the interview site, and if you have access, remember to share it only people who will appreciate paranormal! I’m Evan Trueblood, Molly’s husband. Welcome Molly and Jane. Take it away ladies.

Molly and Jane (speaking at once): Thank you Evan. Glad to be here.

Molly: And I have to give a special thanks to Evan Trueblood, for producing us today. The rumors circulating in the witch community that Evan is unhappy because of my friendship with Jane are well founded, as noted in the plot of BLOOD CROSS. His generosity today is exceptional.

Evan: (grumbles through his mike).

Molly: Jane, not everyone here knows what a Cherokee skinwalker, also known as a shape-changer or shape-shifter, is. And the myths that surround the Native American skinwalkers are violent and gruesome. Can you enlighten us?

Jane: Most of us prefer to be called American Indian, or AmIn, or by our tribal name, not Native American, which is a moniker probably dreamed up by some D.C. bureaucrat. I like to be called Cherokee. I haven’t done a lot of study about the western AmIn shape-changer mythos, like the Hopi tales, but what I’ve learned about the Eastern Cherokee skinwalker can be pretty awful, with age-related changes in dietary habits that are gruesome, tending toward … um … the consumption of human meat.

Molly: (groans in horror) So, they get old and start eating people?

Jane: Yeah, the tales are pretty nasty. But according to the oldest traditions of many tribes, skinwalkers were originally the tribal protectors and warriors. It was only after the white man came that their numbers began to decrease, and they started acting nutso, which makes me think that my subspecies of human may have been decimated by illness brought by Europeans.

Evan: (interjecting, sounding stern) Our apologies to the mental healthcare professionals and those suffering from any form of mental or emotional anguish.

Jane: Yeah, yeah, sorry. I guess there might be a more medically and socially acceptable diagnosis than nutso, but to get one, a shrink would have to spend time with someone who wanted to eat him, and in a lot less entertaining way than some Hollywood-created Hannibal Lector.

(Jane leans in, intent.) Skinwalkers are a magical subspecies of human, Evan, Molly. Very different from the were-creature mythos, who can adopt only one animal shape. Skinwalkers can adopt the shape of many different animals if certain conditions are met. For me to shift, I have to have some genetic material of the chosen animal, bones with some marrow is best, but teeth with some soft tissue works. And it’s easier if the genetic guidelines for size and mass are equal to the human making the change. Meaning that if the shifter weighs 125 pound in human form, then it’s easier to shift into a wolf or big-cat or other animal that weighed 125 pounds in real life.

Molly: But if you wanted to fly, to be a bird, and it weighed only 40 pounds, or if you needed to be a horse, and it weighed a thousand, what then?

Jane: (sounding hesitant) It’s possible to take mass from, or leave mass with, anything that contains no genetic material, like stone. But it’s dangerous. I don’t like to do it. When I dump mass, I leave something of myself behind, and not just body mass. The smaller brain capacity of smaller animals means that I have to store part of my consciousness—memory, spirit, whatever—in other parts of the animal or leave it behind in the stone. I never know if I’ll get all of myself back. And when I take on mass to change into a larger animal, I always wonder if I’ll drop it all, or get stuck with an extra hundred or so pounds of, well whatever I’d get stuck with.

Molly: Like an extra hundred pounds of stone. Well, if you get stone hard abs and bones hard as stone, it might be worth a little extra weight. (The girls laugh.)

Jane, you had a financially lucrative relationship with the Master Vampire of North Carolina, where you became the only vampire hunter to take down an entire rogue-vampire blood-family—that’s a mouthful, isn’t it?—as told by your writer, Faith Hunter, in the anthology titled Strange Brew. Tell our listeners what took you from your home in the Appalachians Mountains, near Asheville, North Carolina to New Orleans, Louisiana?

Jane: First, let’s clarify that I don’t kill just any vampire. I’m licensed to kill rogue vampires, and there are two kinds. Young rogues are vamps who were turned and not kept shackled long enough to cure, or ferment, or whatever they do to find sanity. This usually takes 10 years or so, during which time they’re under the care of, and dependant upon, their maker or sire. Old rogues are vamps suffering from the vamp form of dementia, which makes them a lot more dangerous than a young rogue, because an old vamp still has his mental functions, but his predatory instincts have gone whacko, and he—or she—has taken to violence.

There aren’t many people willing to take on the job of rogue-vamp hunter. I’d hazard to say that there aren’t 25 in North America and Central America together. And there aren’t that many sanctioned vamp-hunting gigs to be had. For a hunt to be legal, the local vamp council has to sanction the hunt and then call in a licensed hunter. So when the New Orleans council asked me to come for a job interview, I took the chance and made the trip. Katie Fonteneau conducted the interview for the vamp council and hired me. It was a lot of money, and it was a dangerous job. I earned every red cent I made on that one.

Molly: And what made this job so dangerous?

Jane: Whacked out vamps don’t usually eat their victims. This was an old-rogue with a preference for organ meat, livers were his cut of choice.

Molly: Eeeew. (more laughter) But that wasn’t all that made this job dangerous, was it?

Jane: No, there was a lot more. Spoilers, so skip the next sentence if you haven’t read SKINWALKER. The vamp in question turned out to be related to one of the most powerful vamps in the city.

Molly: And the whacked-out vamp, well, he wasn’t a vamp at all, was he?

Jane: (voice firm) I was hired to kill a vamp. The vamp council has issued a statement saying it was a vamp that got sick, and I took him out.

Molly: (Presses the point.) But it wasn’t a vamp, was it?

Jane: If I killed something that wasn’t a vamp, then I could, possibly, be accused of murder. So, it was a vamp, Molly, and that’s all I’m gonna say about it.

Molly: Okay, okay, but for our listeners and readers, there have been hints in this interview that tell exactly what the vamp turned out to be.

Change of subject. Tell me what happened in the vampire hunter community after you killed the vamp who was eating people—and vampires. Y’all. It was eating vampires too—in the party capital of the nation. And don’t fidget as if you won’t answer the question. Come on, Jane.

Okay. Our guest is never one to brag, so I’ll say it for her. There’s a website online for vampire hunters, and it lists contact info, number and difficulty of kills, website addresses, and a scorecard of sorts for each of the licensed hunters out there. It’s managed by a guy called Reach, or Reacher, a mysterious personage in the vamp-hunting community, who has his fingers in a lot of pies.

Our guest, Jane Yellowrock, hovered in the top three vampire hunters nationally for years, but after the photo of the thing she killed for the Vampire Council of New Orleans was posted to her website—and went viral, I might add—she moved firmly to the number one spot, and the price to hire her, moved up accordingly, am I right, Jane?

Jane: (mumbles) I knew I shouldn’t have agreed to do this interview. You’re going all Nancy Grace on me here, girlfriend.

Molly: But—another spoiler—the word in the supernatural community is that Leo Pellissier, Master of the City of New Orleans, is claiming that you, well, you murdered the insane vamp.

Jane: I didn’t murder anyone. I killed the vamp the council hired me to kill. If you read Skinwalker, you know the truth.

Molly: Okay, don’t get grumpy. Lets talk about your love life.

Jane: (laughing, covering her eyes) Oh, God. I knew not to do this interview. Let’s not talk about my love life. It’s so mixed up right now.

Molly: We witches are a predominately female community because our males don’t usually survive the childhood cancers they’re so prone to. So, we’re accustomed to marrying into the human community, having children with our human husbands, and passing along the witch gene only occasionally. With so few shapeshifters around, do you date humans?

Jane: I like humans, and yes, I’ve dated a few. Right now, I’m talking to a human, a blood-servant, and a vamp.

Molly: Anyone you want to tell us about?

Jane: No. No way.

Molly: Okay. Then tell us how the vampires relate to your scent.

Jane: (sounding relieved) Rogues recognize me as a fellow predator right off. I seem to provoke a response that’s primarily aggressive in them. But if they’re young enough, all they can think of is food, so they attack, wanting to kill or subdue and feed. Katie Fonteneau was the first sane vamp I ever met in person. When she got her first, good whiff of me, she attacked. Ditto with her boss, Leo Pellissier, Master of the City of New Orleans. But once he accepted me, the rest of them accepted me, and their perception of my scent changed. I’ve guessed it’s like a pride of lions. Once the alpha accepts the outsider, then the others will too. Now they say I smell like a combo of dessert and sexual challenge. Dangerous. They seem to like it.

Molly: (teasing) Tall, dark, and deadly. For our readers, Jane Yellowrock is six feet tall, has hip-length black hair, amber eyes, wears leather, and is armed and dangerous. Vampires like the way you smell. Okay, moving back to the subject of men. There are hints scattered about that Rick LaFleur is not quite human. Or more than human. Or maybe he is human and you liiiiike him. May we expect further enlightenment?

Jane: The answer to that question will be partially addressed in Mercy Blade, and will be addressed again in Raven Cursed. My writer is still working on that novel. Which means that I don’t know the answer, and for all I know, she might not know. She’s bad about leaving me hanging, you know?

Molly: So there’s a chance he is a skinwalker!

Jane: I didn’t say that, Molly-girl. Ricky Bo smells totally human, not like me, and not like what I remember of my kind, at all. Delectable to my Beast, but totally human.

Molly: I know some of us will be disappointed to hear that. But, that brings us to Beast. Jane is a being with two souls, one a skinwalker, one a mountain lion. What’s that like?

Jane: (sounding snarky) Crowded.

Molly: Come on Jane. Give me something here.

Jane: (sighs) It’s complicated. I have two conscious minds, each very different, trying to, learning to, get along in a body built for shape shifting. When we … merged, I guess is one way to put it … I got some of Beast’s strength and speed, even in my human form, and she got some of my language abilities. She talks to me inside my head when we’re in human form, and I can talk to her when we’re in cat form, though one of us is always alpha. It’s kind of … schizophrenic, I guess. But it works for us.

Molly: How about eating?

Jane: You’re not gonna like this. Especially your vegetarian listeners and readers. I like my steak rare. Beast likes hers on the hoof and freshly dead, raw, and still warm.

Molly: And your writer? The woman who tells your stories?

Jane: (sounding snarky again) Faith Hunter? She likes leafy greens and bean soup and yogurt. Wimp. The only thing we have in common is a love of fine teas, though I may let her teach me to whitewater kayak. It looks like fun, especially the Class III rivers. Oh – and she said to tell you that RAVEN CURSED, the fourth Jane Yellowrock novel, will be out in January 2011.

Molly: (laughing) Perfect timing for a plug Jane! I think that’s enough for today.

Jane Yellowrock, thank you for coming to talk to us. Evan Trueblood, producer extraordinaire and best hubby in the world, thank you.

Evan: It’s been a pleasure. And enlightening. And to all our listeners and readers, we hope you have a good witchy evening, and a good book to enjoy!

Leave a Comment

Filed under Guest Blogger

Why Published Writers Love Cons

by Gail Z. Martin

Go to any literary or multi-media convention and you’ll see a slew of published writers.  Now everyone knows that writers are shy and introverted (or not), so why do they brave the crowds to spend precious weekends hanging out with total strangers?

Certainly the visibility doesn’t hurt.  With today’s decreased book sales, writers have a real economic reason to go out and make new friends who will hopefully try their books, and to remain visible to long-time readers to remind them of new books to come.  Publishers are less and less able to do much in the way of marketing for the average title, so writers are left to create their own visibility opportunities, and cons are certainly a great way to be visible to the core fan audience.

Believe it or not, many writers also just plain enjoy meeting readers and fans in general.  It’s just plain fun to go sit on panels and talk about fandom-related stuff, favorite books and movies and the kind of geeky technicalities that makes other people roll their eyes.  Most, if not all, writers are also fans themselves, so they get a kick out of all the things that make a good con tick—panels, costuming, celebrity guests, etc.

Writers also enjoy networking with other writers at cons.  Since writing is a largely solitary activity, writers enjoy the chance to connect with their writer friends, and it’s easiest to do this at a con.  Look around and you’ll see writers holed up together at meals, over drinks and during parties talking shop.  It’s also good business—at my last convention, I was invited to appear at three different conventions plus asked to send a short story for an anthology.  Lots of writers can tell you how they got an invitation to submit a manuscript or some other project by networking at a con.

And another reason–It’s a day away from the keyboard but related to the genre, so we don’t feel guilty.  It’s work related, but also fun.  Maybe that should be reason #1!

Leave a Comment

Filed under Conventions, Fandom, Gail Z. Martin